![]() ![]() ![]() The Great Leveller indeed! A remarkable film by any standards, and one which for me at least, is much darker and more sinister than has generally been recognised. And it is an eternal night that we all subconsciously know lays in wait for us. Everything appears to carry a symbol that needs to be interpreted - if it is there, it must have meaning, and if the Man says that they had arranged to elope together when they were at Marienbad, (or was it Marienbad, or elsewhere, and what does it matter?), how can the Woman be sure that this is not a ruse, made up to give immediate warning that we exile our emotions at our peril? That to acknowledge this for one second risks opening floodgates which will overwhelm and destroy? Or, that the ultimate expression of desire is death itself, as the film's closing line hints when the Man's voice speaks, over the night time silhouette of the hotel, of, `You. Last Year at Marienbad (1961) Last Year at Marienbad Blu-ray delivers truly amazing video and audio in this absolutely must-own Blu-ray release In a huge, old-fashioned luxury hotel, a stranger. The gardens become symbols of this desire to enslave, conquer and exile nature - formal, rigid and planned, and yet within the hotel, all around are decorative symbols of the chaotic and random aspects of nature. Last Year At Marienbad Whenever art-minded cinephiles fall for a movie that strikes others as plotless and pointless, they often defend the work for its formal qualities: the way the director. But desire is a respecter of nobody, and it is this element of human nature that haunts the corridors of the hotel like an invisible mist, and subconsciously their acutely civilised life-style which has bereaved them of something they no longer acknowledge or recognise and have deeply repressed - only to find it lingers on the fringes, confusing and disturbing them - spoiling everything a depressive dissatisfaction. However, the one Resnais film that is often overlooked during this discussion is his 1956 work All the World’s Memory. They are strangely existentialist - the existentialism of great wealth - their small talk is intelligent, informed and stilted they are all beautiful in the sense that money can partly buy beauty, and yet, in the process, they have lost human warmth, real sexual desire, and any purpose in life other than to drift on in their station in life. Through masterpieces such as Hiroshima mon amour and Last Year at Marienbad, Resnais routinely examined the relationship between our collective memory and our imaginary frameworks for the past. What is remarkable about the setting and the characters is that they are all so wealthy that they can rise above the concerns of ordinary mortals, only to find that this advantaged life brings other problems - of identity, purpose and values. Last Year at Marienbad A Voyage Into Memory and the Subconscious Masterpiece by Peter Cowie - WSJ Euro 0.33 Subscribe Sign In English Edition Print Edition Video Podcasts Latest Headlines. Many people define it as cerebral and classical, but to me it is romantic and gothic. Last Year at Marienbad (1961) Action, Drama, Mystery 1961year 1h 37mlength 7. It would take a braver person than me to delineate what LAST YEAR AT MARIENBAD is `about', but as it is such an entirely thought provoking film, perhaps some sort of `meaning' can come from sharing these thoughts about it. ![]()
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